Heidi Julavits says
Reading Bill Cotter’s The Parallel Apartments is like taking some kind of word drug, but a new one, synthesized in a desert lab from molecules of Lipsyte, Dickens, Pynchon, Williams, Chabon, DeWitt, and Joyce, and then spun together with Cotter’s own unique particles to yield a book that produces an actual high when read. There’s micro-attention paid to sweatpants material and the feel of artificial cheese powder on fingertips and the bouillon smell of nether regions. There is sadness. There is loneliness. There are riffs that make me wish an actor were there to read to me aloud, so I could cry from laughter without needing to clearly see the page. This book is an experience—it is a never-read-anything-like-it-before work of brainy, heartfelt joy.
And Texas Monthly calls it
Funny and profane and more than slightly unhinged.
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